A simple and elegant 18th century design, reproduced by Ryan & Smith in Limestone
The clean lines and crisp edges makes this fireplace very suitable for modern living.

The clean lines and crisp edges makes this fireplace very suitable for modern living.

Much of Britain and Ireland’s best-loved architecture can be described as Palladian. This style dominated the 17th and 18th centuries.

With the aperture surrounded by a wide frame stepped moulding. The plain and squat frieze compliments the generously sized and moulded cornice.

The long scroll consoles carved with bead and reel ornament. The aperture and cornice carved with egg and dart mouldings. A design which works equality well in a period or modern interior.

A very strong architecturally styled marble chimneypiece with geometric design, Palladian elements, as well as forms from Italian baroque and Inigo Jones.

The finely carved flower head corner blocks, above acanthus bracket corbels, these complement the plain centre tablet and reed effect panels.

The simple moulded bolection frame on plain foot-blocks supports a scrolled bracketed frieze and breakfront cornice, carved in pure white statuary marble.
A 17th century Italian design interpreted by many English architects in the 18th and 19th centuries.

Circa 1890

Antique imperial Giallo marble fireplace of arched form with moulded panels, keystone and mantelpiece.
Circa 1880
Price: £1,800 (+VAT) includes insert

An exceptional copy of an Irish Georgian original, by Dublin stone cutters George, Hill and Arthur Darley.

An early 19th century style brass register grate. Copied from an antique original, many of which where found in Georgian houses throughout Ireland.
Made to any size required

A late 18th century style brass register grate engraved with neo-classical patterns. The top with three turned roundels and the basket with steel bars above a pierced and engraved apron. This style of grate was the height of fashion in Georgian Ireland.

A richly coloured antique mahogany mantelpiece in the George III neoclassical taste with carved centre panel of swag and ribbons.
Circa 1890

Made by Coalbrookedale.
Circa 1880

The plain frieze resting on two simple console jambs below a generous cornice mantelpiece.

A polished steel fire grate having an intricately pierced serpentine apron. The support columns are turned and capped with classical urns.

From the late Victorian/Edwardian period.
Circa 1900

With full free standing columns of Doric form, corner blocks moulded with set back running frieze and a deep mantelpiece. This model was very much in fashion during the 2nd quarter of the 19th century, it reflects the clean architectural lines associated with late Regency style, that today has a contemporary feel to it.