A large cast iron fire back
With battle scene in great detail.
Circa 1900
With battle scene in great detail.
Circa 1900
With rampant lion.
Circa 1900
With score top and figurative scenes.
17th century
With arched top and decorative scene.
Circa 1880
Comprising of three pieces, shovel, tongs and poker. With beautifully formed handles and decorative pierced shovel.
Circa 1820
In the Louis XV style with acorn handles and rococo pedant detail.
Circa 1890
Comprising of a poker, shovel and tongs.
Circa 1820
Made from Italian Statuary Carrara marble with semi-precious Sienna marble inlays.
The carved centre tablet depicts a classical lidded urn, the corner blocks single putti, armed with bow and arrows.
Great proportions, marble and carvings.
Circa 1890
In original un-restored condition, can be cleaned if preferred.
Circa 1880
Comprising of three pieces, (shovel, fire tools and tongs). The wide shovel with intricately cut floral decoration.
Circa 1830
With vase handles and intricately cut shovel detail.
From the William IV period.
Circa 1830
The set comprises of three pieces, each with barley twist shafts and baluster handles. The shovel with intricately cut floral motif.
Circa 1830
With decorative handles and cut shovel detail.
Suitable for a large fireplace.
Circa 1860
The set comprises of three pieces, each with barley twist shafts and baluster handles. The shovel with intricately cut floral motif.
Circa 1830
With carved acanthus scrolled consoles at a canted position, original mirror back and attractive shaped top.
Very suitable for a hall or living room.
Circa 1820’s
The serpentine frieze with centre cartouche, the panelled console jambs with slight scrolling.
Circa 1780
The bronze tazzas decorated with vines and grapes, a symbol of plenty, freedom and rebirth. The pedestal plinths made from the purest of black marble.
Circa 1870
A very rare and fine Louis XVI style, exquisitely etched and inlaid Belgian Black marble fireplace. The malachite mosaic inlays form foliate patterns. The deep side returns with elaborately engraved panels.
French, circa 1860
The reclining figure beautifully carved in white statuary marble and raised on a Arabscato Carrara marble plinth.
20th century
Pauline Bonaparte as Venus Victrix by Antonio Canova
Reviving the ancient Roman artistic traditions of portrayals of mortal individuals in the guise of the gods, and of the beautiful female form, reclining on a couch (as most often seen in reclining portrayals of Hermaphroditi). It was commissioned by Pauline Bonapart’s husband Camillo Borghese and executed in Rome from 1805 to 1808, after the subject’s marriage into the Borghese family. It then moved to Camillo’s house in Turin, then to Genoa, only arriving in its present home the Galleria Borghese in Rome around 1838.
An uncomplicated design, crafted from a solid block of Italian Travertine. The porous material with strong veining running across the entire piece.
Made from Italian statuary veined marble with semi-precious Sienna marble columns.
A near pair to fireplace Ref: 19341
Circa 1870
The Carlton displays many architectural elements associated with the Palladian style, tapering pilasters, robustly carved mouldings and a cornice mantel shelf.
A design where Palladian and Italian Baroque elements come together in harmony.
Copied from an original mantelpiece installed in Henrietta street Dublin and featured in Batty Langley’s 1739 book of designs.
This fireplace was copied from a Georgian original made by George Hill and Author Darley of Mercer Street, Dublin. It was installed in a house on Merrion Square, Dublin in 1780, and is a great example of the high quality neo-classical fireplaces, that can be found in the finest of 18th century Irish houses.
This is a very faithful to the original, hand-carved reproduction made by Ryan & Smith.
A very typical and classic Victorian styled stone fireplace with carved scroll corbels terminated with scallop shells. The pilasters under the corbels are panelled, as is the frieze with a circle in the centre and a panel at either side. The deep flat rectangular mantelpiece is moulded on the edges.
Made in a warm and neutral coloured limestone.
The black marble architrave frame has a coloured Portoro marble frieze resting on top. The mantel shelf is a substantial and moulded black marble cornice.
A very stylish piece from the Edwin Lutyens, Neo-Georgian period.
Circa 1900
Made from Italian statuary veined marble with semi-precious Sienna marble columns.
A near pair to fireplace Ref:19346
Circa 1870
Neo-classical in style and suitable for an open fire, stove or insert.
Circa 1890
The interior lined with Satinwood and fitted with two glass shelves. The frame made of Coromantel wood with decorative Ebony detail.
Early 20th century
The wooden frame which is raised on brass casters is decorated on both sides with bell flowers and leaf work.
Covered with a cream calico and ready for upholstering.
Circa 1890
Seat height 15″ (381mm)